For Anne Gregory — Class 10 English — First Flight Poetry: 135 MCQs with answers
All 135 multiple-choice questions from this kit, free and with no sign-up.
Warm-up · 5 questions
Q1. Before the poem begins the textbook tells students what kind of poem it is. What does it call it?
BeginnerShow answer & explanation
A conversation between a young man and a young woman
And asks what they are arguing about.
Q2. The textbook glosses exactly one word in this poem and offers the Red Fort as its example. What does that word mean?
BeginnerShow answer & explanation
The high, wide walls around a castle or fort
With the ramparts of the Red Fort as its example.
Q3. The poem names her hair colour in the young man's stanza and again in the young woman's own. What colour is it?
BeginnerShow answer & explanation
Yellow
The other three are what she offers to dye it.
Q4. In which year did W. B. Yeats win the Nobel Prize for Literature?
BeginnerShow answer & explanation
1923
The one date worth memorising.
Q5. Which subjects does the textbook say Yeats was interested in?
BeginnerShow answer & explanation
Folklore and mythology
A long way from hair-dye.
Building up · 34 questions
Q6. The poem is a conversation, but its three stanzas are not shared equally between the two voices. How are they divided?
IntermediateShow answer & explanation
The young man speaks the first and third; the young woman speaks the second
She gets the exact middle, and only one turn.
Q7. The young man opens the poem with a claim about something no young man will ever manage to do. What is that claim?
IntermediateShow answer & explanation
That no young man will love her for herself alone rather than her yellow hair
A compliment and a sentence in the same breath.
Q8. When the young man speaks of great honey-coloured ramparts standing at her ear, what is he actually describing?
IntermediateShow answer & explanation
Her hair, piled thick and high at the sides of her head
A set textbook question.
Q9. In a class test a student explains the word 'ramparts' as decorations worn in her hair. What correction would you make?
IntermediateShow answer & explanation
The word means the walls of a fort; the hair itself is being compared to a wall
The only glossed word in the poem, and it decides the image.
Q10. Having accepted everything the young man has just told her about her hair, what does the young woman say she can do?
IntermediateShow answer & explanation
Get a hair-dye and set another colour there
A practical solution, offered at once.
Q11. Which three colours does she name?
IntermediateShow answer & explanation
Brown, or black, or carrot
And the third is the interesting one.
Q12. The young woman gives no sign of disliking her own appearance, and yet she offers to alter it. Why does she want to?
IntermediateShow answer & explanation
So that young men may love her for herself alone and not her yellow hair
A set textbook question.
Q13. One phrase in this poem is spoken by the young man and then taken up by the young woman as well. Which is it?
IntermediateShow answer & explanation
For yourself alone
He says 'you'; she says 'me'.
Q14. Which statements about the poem are correct? 1. The young woman's hair is yellow. 2. She offers to dye it. 3. She speaks two of the three stanzas.
IntermediateShow answer & explanation
1 and 2 only
She speaks only the second.
Q15. Which pairing of word and meaning is correct?
IntermediateShow answer & explanation
Ramparts — the high, wide walls around a fort
The other three shift or reverse the sense.
Q16. How should an answer about the ramparts be ordered?
IntermediateShow answer & explanation
The gloss, then what it describes, then both halves of the image
Three steps, and the third earns the mark.
Q17. Which is the best summary of the first two stanzas?
IntermediateShow answer & explanation
A man says her beauty makes her unknowable, and she offers to remove it
And then he answers her.
Q18. What does the textbook's note tell us about the poet?
IntermediateShow answer & explanation
He was an Irish nationalist who won the Nobel Prize for Literature in 1923
Educated in London and Dublin, and interested in folklore and mythology.
Q19. 'The young woman is the most sensible person in this poem.' Discuss the second stanza.
IntermediateShow answer & explanation
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Content 3 · Expression 2 · Accuracy 1. Content should include: the compliment she declines to accept; her acceptance of his premise; the hair-dye and the three colours; her use of his own phrase with the pronoun changed; the significance of 'carrot'; and the observation that hers is the only practical proposal in the p…
Q20. Instead of arguing with the hair-dye proposal she has just made, what does the young man do in the third stanza?
IntermediateShow answer & explanation
He reports what somebody else declared
From what might be done to what was declared.
Q21. The young man says he heard the old religious man speak 'but yesternight'. What does that old word mean?
IntermediateShow answer & explanation
Last night
An old form of the word.
Q22. Somewhere in the third stanza the young man uses an endearment, and it is the only one in the poem. Which two words are they?
IntermediateShow answer & explanation
My dear
In the middle of stanza three.
Q23. After citing the old man, the religion and the text, the young man reaches the statement that closes the poem. What is it?
IntermediateShow answer & explanation
That only God could love her for herself alone
The poem's last idea.
Q24. Which reading of the line should an answer give?
IntermediateShow answer & explanation
At least two of the three, since the poem does not choose between them
And say that the poem does not settle it.
Q25. In a class test a student gives the rhyme scheme of this poem as aabb. How should that answer be corrected?
IntermediateShow answer & explanation
Only lines two, four and six rhyme, and on the same sound in all three stanzas
Despair, ear, hair; there, despair, hair; declare, dear, hair.
Q26. The last word of the first stanza returns as the last word of the second and of the third. Which word is it?
IntermediateShow answer & explanation
Hair
Three stanzas, one closing word.
Q27. Which statements about the poem's third stanza are correct? 1. It cites an old religious man. 2. It mentions a text. 3. The young woman replies to it.
IntermediateShow answer & explanation
1 and 2 only
She is given no reply at all.
Q28. How should an answer about the third stanza be ordered?
IntermediateShow answer & explanation
The three authorities, then 'only God' with two readings, then the rhyme and the refrain
Argument first, form last.
Q29. Taking the three stanzas together as one continuous movement, which is the best summary of the poem's argument?
IntermediateShow answer & explanation
A claim, a practical remedy, and an escalation that nobody can answer
Three stanzas, three moves.
Q30. 'Only God could love you for yourself alone.' Discuss what this line means and whether it is a defeat, a compliment, or something larger.
IntermediateShow answer & explanation
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Content 3 · Expression 2 · Accuracy 1. Content should include: the line as a defeat, with the explanation that the colour was never the obstacle; the line as disguised flattery, with the comparison to his opening claim; the general reading about love fastening on qualities; and a conclusion that the poem sustains all t…
Q31. The third set question asks you to think of a car, a phone or a dress. What exactly does it want you to explain about them?
IntermediateShow answer & explanation
Which qualities make one more desirable than another, and what you would emphasise when selling
Two halves to the question.
Q32. The fourth set question is the longest in the exercise. What does it actually ask the student to decide?
IntermediateShow answer & explanation
Whether people are loved for their qualities or can be loved for themselves alone
And whether some people are more lovable than others.
Q33. Which set of four cases does the textbook supply for the discussion about loving people?
IntermediateShow answer & explanation
A newborn and other children, the public's love, a friend or sibling, and a pet
Baby, public, friend, pet.
Q34. The fifth set question quotes a line by Yeats that is not in this poem. What is it?
IntermediateShow answer & explanation
How can we separate the dancer from the dance?
From another poem entirely.
Q35. Which set of facts about Yeats does the textbook actually supply?
IntermediateShow answer & explanation
Irish nationalist, educated in London and Dublin, interested in folklore and mythology, Nobel Prize 1923
Four facts and one date.
Q36. Which statements about the textbook's fourth question are correct? 1. It supplies four cases. 2. It is a discussion question. 3. It expects a single correct answer.
IntermediateShow answer & explanation
1 and 2 only
It expects disagreement.
Q37. What advice does this topic give about quoting from so short a poem?
IntermediateShow answer & explanation
Quote small — three or four words, accurately
Accuracy matters more than length.
Q38. What does the textbook tell us about W. B. Yeats, and why should an answer keep to that?
IntermediateShow answer & explanation
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Q39. 'How can we separate the dancer from the dance?' Discuss this question and what it does to the argument of the poem.
IntermediateShow answer & explanation
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Content 3 · Expression 2 · Accuracy 1. Content should include: the meaning of the dancer-and-the-dance question; its application to a person's voice, walk and appearance; the effect on the young woman's plan; the effect on the phrase 'for yourself alone'; and the point about changing relationships being evidence on bot…
Topper level · 96 questions
Q40. Of all the words available for describing a great mass of hair, why is a rampart such an effective comparison?
AdvancedShow answer & explanation
It is magnificent and impassable at the same time
An answer needs both halves of the image.
Q41. Which of these is the second half of that image, and the half most answers leave out?
AdvancedShow answer & explanation
That a rampart exists to keep people out
Nobody standing in front of one gets any further.
Q42. How does that image describe the young woman's situation exactly?
AdvancedShow answer & explanation
Her hair is the first thing anybody sees and the last thing they get past
Admired, and a barrier.
Q43. What does the word 'honey-coloured' add beyond naming a shade?
AdvancedShow answer & explanation
Honey is thick, rich, sweet and slow, so the hair becomes something to taste as well as see
A colour word that is also a taste word.
Q44. The poem locates the ramparts precisely, in three short words placed at the end of a line. Why does that location matter?
AdvancedShow answer & explanation
They place the hair at the sides of the head, where ramparts run and enclose
A small detail holding the comparison up.
Q45. The young man says that other young men are thrown into despair by her hair. What reason does the poem give for that?
AdvancedShow answer & explanation
Her hair is so beautiful that they see nothing else, and it holds them at a distance like a wall
A set textbook question, and it has two reasons.
Q46. The word 'despair' appears in the first stanza and is picked up again in the second. What does it mean in this poem?
AdvancedShow answer & explanation
The state of having given up, not merely disappointment
Stronger than it looks.
Q47. A student writes that the young men despair because they have been rejected. What is wrong with that?
AdvancedShow answer & explanation
He never says she refuses anybody — the despair comes from her beauty, not from rejection
Nothing in the poem blames her for anything.
Q48. Of the three colours the young woman offers, one is deliberately unglamorous. Why is 'carrot' the striking choice among them?
AdvancedShow answer & explanation
It is bright orange, and nobody picks it in order to be inconspicuous
She is not asking to be plain, only to be seen.
Q49. A student writes that she wants to make herself less attractive. Why is that not quite right?
AdvancedShow answer & explanation
She wants to remove what stands between her and being seen properly — the dye is a means, not an aim
Being loved for herself is the aim.
Q50. Taking her single stanza as a whole, with its speed and its wholly practical remedy, what does her reply show about her character?
AdvancedShow answer & explanation
She is quick, practical and not in the least vain
She treats a compliment as a problem to be solved.
Q51. Suppose a vain woman had been paid the elaborate compliment in the first stanza. How would she have responded to it?
AdvancedShow answer & explanation
She would have been flattered and left it there
Which is exactly what this young woman does not do.
Q52. Besides the single word that closes each stanza, which other phrase appears in all three stanzas of the poem?
AdvancedShow answer & explanation
Yellow hair
And the word 'hair' ends all three stanzas.
Q53. The refrain returns at the end of every stanza with only its pronouns altered. What does that repetition do to the argument?
AdvancedShow answer & explanation
It makes the poem one sentence repeated three times with the speaker changed
Which is why the disagreement feels so tightly closed.
Q54. Assertion (A): The rampart image is not simply a compliment. Reason (R): A rampart is built to be admired from a distance and to keep people out, so the hair both attracts and excludes.
AdvancedShow answer & explanation
Both A and R are true, and R is the correct explanation of A
Both halves of the image, together.
Q55. Which everyday situation is closest to the one the poem describes?
AdvancedShow answer & explanation
Being known for one striking feature that stands between you and everybody else
A voice, a height, a face — admired, and in the way.
Q56. Why is it significant that the young woman speaks only once?
AdvancedShow answer & explanation
The man opens and closes the argument, and she is given a single turn in the middle
And what she says in it is the most practical thing in the poem.
Q57. What would be lost if the poet had written 'golden' instead of 'honey-coloured'?
AdvancedShow answer & explanation
The richness and sweetness — the sense that the hair can be tasted as well as seen
Golden names only a colour.
Q58. Which is the strongest single observation to make about the first stanza?
AdvancedShow answer & explanation
The rampart image praises her and shuts everybody out in the same breath
Magnificent and impassable.
Q59. What does the young woman's solution reveal about the problem, on closer inspection?
AdvancedShow answer & explanation
She treats being loved for her hair as something that can be fixed by changing the hair
And the third stanza will test that assumption.
Q60. What does the young man mean by 'great honey-coloured ramparts at your ear'?
AdvancedShow answer & explanation
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Q61. Explain the image of the honey-coloured ramparts, and say why the young man thinks other young men lose heart at the sight of them.
AdvancedShow answer & explanation
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Q62. What colour is the young woman's hair, what can she change it to, and why would she want to?
AdvancedShow answer & explanation
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Q63. What does the young woman's reply tell us about her?
AdvancedShow answer & explanation
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Q64. How does the poem divide itself between its two speakers, and what is the effect?
AdvancedShow answer & explanation
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Q65. Which phrases return in every stanza, and what do they do?
AdvancedShow answer & explanation
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Q66. Examine the image of the honey-coloured ramparts, and show why it is more than a compliment.
AdvancedShow answer & explanation
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Content 3 · Expression 2 · Accuracy 1. Content should include: the gloss of 'ramparts'; the identification of the hair and the force of 'at your ear'; the effect of 'honey-coloured' beyond colour; both halves of the rampart image, magnificent and impassable; the application to her situation; and the explanation of the…
Q67. Rewrite the first two stanzas as a short prose conversation, and then say what the poem does that the prose cannot. About 120–150 words in all.
AdvancedShow answer & explanation
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Content 3 · Expression 2 · Accuracy 1. Accept any faithful prose version of the two stanzas. Content should include: prose that keeps the rampart image, the despair, the dye and the three colours; and an explanation naming at least two losses — the shared refrain and its effect, and the structural placing of her single…
Q68. The young woman has just offered a practical solution. What is the most striking thing about the young man's reply?
AdvancedShow answer & explanation
It is not a reply at all — he never engages with what she has said
He changes the ground of the discussion.
Q69. Counting the sources of standing he leans on in his last stanza, how many separate authorities does the young man stack into four lines?
AdvancedShow answer & explanation
Three
An old man, a religious man, and a text.
Q70. Three different kinds of authority are named in the third stanza of the poem. Which of these is NOT one of them?
AdvancedShow answer & explanation
A priest of his own family
The poem never says who the old man was.
Q71. Why does that detail of timing weaken his case rather than strengthen it?
AdvancedShow answer & explanation
The evidence was acquired the evening before it was used, and none of it is his own
A man who believed it would have argued it himself.
Q72. A speaker who piles up three authorities instead of reasoning has told us something about himself. What does that appeal suggest?
AdvancedShow answer & explanation
That he has gone looking for support rather than reasoning for himself
Funny, and revealing.
Q73. The endearment comes neither at the start nor at the end of the stanza but in the middle of a hard sentence. Why does that matter?
AdvancedShow answer & explanation
They arrive inside the sentence telling her nobody human can love her properly
Tenderness and bad news together.
Q74. On the plainest reading, what does that conclusion do to her plan?
AdvancedShow answer & explanation
It defeats it before she can try — dye it black and people will love the black
The problem was never the shade.
Q75. Read from the other side, the same conclusion flatters her rather than defeating her. How can it be read as a compliment?
AdvancedShow answer & explanation
If only God can see past her beauty, her beauty is beyond anything human can manage
He appears to concede and in fact escalates the praise.
Q76. What is the widest reading of the line, the one that has nothing to do with her hair?
AdvancedShow answer & explanation
That nobody is loved for themselves alone by anybody, since love fastens on qualities
Ask anybody why they love a friend and they produce a list.
Q77. If love fastens on qualities because qualities are all there is to fasten on, why could only God love a person for themselves alone?
AdvancedShow answer & explanation
Only a being who needs nothing and sees everything could love somebody stripped of all their qualities
Qualities are what there is to fasten on.
Q78. The rhyme in this poem does not fall where most students expect it to fall. Which lines of each stanza rhyme?
AdvancedShow answer & explanation
The second, fourth and sixth
The odd-numbered lines rhyme with nothing.
Q79. Looking across all three stanzas rather than at any one of them, what is unusual about the rhyme sound the poem uses?
AdvancedShow answer & explanation
It is the same sound in all of them, so eighteen lines chime on one note
From beginning to end.
Q80. Given that eighteen lines chime on a single note from beginning to end, what does that rhyme sound do to the poem's meaning?
AdvancedShow answer & explanation
The poem cannot get away from the word 'hair', exactly as she cannot get away from the thing
The form repeating the argument rather than decorating it.
Q81. Counting the closing lines of all three stanzas together, how many of the poem's eighteen lines are near-identical repetitions?
AdvancedShow answer & explanation
Six
The last two lines of every stanza.
Q82. The refrain of this poem does not belong to one speaker only. What is notable about who uses it?
AdvancedShow answer & explanation
Both speakers use it, with only the pronouns changed
Neither can get away from the same phrase.
Q83. Which sequence describes the shape of the whole argument?
AdvancedShow answer & explanation
Claim, solution, escalation
He asserts, she solves, and he calls in God.
Q84. The young man has just brought God into the argument, and at that point the poem stops. How does it end?
AdvancedShow answer & explanation
Without agreement and without a reply from her
A conversation that closes rather than concludes.
Q85. Three things about the old religious man and his evidence are left entirely blank. What does the poem never tell us?
AdvancedShow answer & explanation
Who the old man was, what religion he belonged to, or what the text said
Three blanks, all of them left open.
Q86. Assertion (A): The young man does not defeat the young woman's argument. Reason (R): He proves that a dye of any colour would wash out of her hair within a week.
AdvancedShow answer & explanation
A is true, but R is false
He says nothing of the sort; he changes the subject instead. The assertion is right, the reason invented.
Q87. Which pairing of reading and description is correct?
AdvancedShow answer & explanation
Flattery in disguise — her beauty is beyond what any human can see past
The other three misstate the readings.
Q88. A speaker who says 'I read somewhere that' is closing a disagreement rather than settling it. Which everyday move does the third stanza illustrate?
AdvancedShow answer & explanation
Ending an argument by quoting somebody rather than answering it
'Well, I read somewhere that…'
Q89. Examiners reward a sentence that ties a technical feature to meaning. Why is 'the form is repeating the argument' a strong sentence?
AdvancedShow answer & explanation
It links the rhyme to the meaning instead of listing the scheme and stopping
Technical observation turned into criticism.
Q90. Suppose the poet had given the young woman a fourth stanza in which she answered his claim about God. What would change?
AdvancedShow answer & explanation
The argument would no longer close on his terms, and the poem's unresolved feeling would go
The poem stops where he stops.
Q91. The young man could have said 'no one' instead of naming God in his final claim. What does he gain by using 'only God'?
AdvancedShow answer & explanation
The statement becomes impossible to argue with, and turns into praise at the same time
A defeat and a compliment in four words.
Q92. Among all the technical features available in so short a poem, which is the strongest single observation about its form?
AdvancedShow answer & explanation
Every stanza ends on the same word, so the poem cannot escape it either
Formally trapped, exactly as she is.
Q93. What does the mixture of 'my dear' and the sentence it sits inside tell us about the poem's tone?
AdvancedShow answer & explanation
It is affectionate and unsparing at once, which is the tone of the whole poem
Tenderness delivering bad news.
Q94. How does the young man answer the young woman's proposal?
AdvancedShow answer & explanation
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Q95. What do the authorities in the third stanza tell us about the young man?
AdvancedShow answer & explanation
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Q96. Explain the line about only God, giving more than one reading.
AdvancedShow answer & explanation
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Q97. Describe the rhyme scheme of the poem and say what it achieves.
AdvancedShow answer & explanation
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Q98. What is the refrain of this poem, and why does it matter that both speakers use it?
AdvancedShow answer & explanation
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Q99. Describe the shape of the argument across the three stanzas.
AdvancedShow answer & explanation
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Q100. Examine the third stanza of the poem and show how the young man wins the argument without ever answering it.
AdvancedShow answer & explanation
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Content 3 · Expression 2 · Accuracy 1. Content should include: the observation that he does not engage with her proposal; the three authorities named; the force of 'but yesternight'; the placing of 'my dear'; at least two readings of the conclusion; and the point that she is given no reply. Other relevant points accept…
Q101. Write the fourth stanza the young woman might have spoken in reply, and then explain the choices you made. About 120–150 words in all.
AdvancedShow answer & explanation
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Content 3 · Expression 2 · Accuracy 1. Accept any six-line stanza in the young woman's voice. Content should include: verse that keeps the poem's rhyme on lines two, four and six and ends on 'hair'; some use of the refrain; a reply that engages with the third stanza; and an explanation naming at least three imitated fe…
Q102. Of the two halves of that question, which is the harder and more revealing one to answer?
AdvancedShow answer & explanation
What you would emphasise, since that means choosing which qualities to put in front of somebody
Emphasis is a choice; a list is not.
Q103. According to this topic, what do an honest seller and a flatterer have in common when they describe something?
AdvancedShow answer & explanation
Both name the visible quality and stop there
Which is the young man's speech in stanza one.
Q104. Why has the textbook placed the question about selling objects immediately before the question about loving people?
AdvancedShow answer & explanation
Because the young man's praise of her hair works exactly like an advertisement
Name the visible quality and stop.
Q105. What is the most common weakness in student answers to the fourth set question?
AdvancedShow answer & explanation
Giving an opinion without using any of the four cases the book supplies
Two cases beat a view.
Q106. Why does a parent's love for a newborn baby count as the strongest evidence in the whole discussion?
AdvancedShow answer & explanation
The baby has no achievements or qualities to speak of, and is loved overwhelmingly anyway
Nothing yet to love it for.
Q107. What is being tested when the book places a challenged child beside a clever child or prodigy?
AdvancedShow answer & explanation
Whether love follows ability, since if it did the two would be loved in proportion
In a decent family they are not loved differently.
Q108. Which of the four cases points most clearly AGAINST the idea of loving somebody for themselves alone?
AdvancedShow answer & explanation
The public's love for a film star, sportsperson, politician or social worker
The public knows only the qualities.
Q109. Why does the public's love end when the career does, according to this topic?
AdvancedShow answer & explanation
Because the love arrived with the qualities and there was never anything else on offer
Only the work was ever met.
Q110. Why does this topic say the case of the public is NOT a criticism of the public?
AdvancedShow answer & explanation
Because you cannot love somebody for themselves alone when the only thing you have met is their work
It could not be otherwise.
Q111. Why is love for a friend, a brother or a sister described here as the honest middle case?
AdvancedShow answer & explanation
You can list reasons, yet you would not stop if one went, and you never chose your sister at all
The list is real and incomplete.
Q112. What makes the case of a pet so difficult for the other side of the argument to answer?
AdvancedShow answer & explanation
A dog does not know your marks, salary or appearance, and nothing you achieve improves its welcome
And it works in both directions.
Q113. Which position on the fourth question do the four cases in the book actually support?
AdvancedShow answer & explanation
People can be loved for themselves alone, but almost never by strangers
It takes time, proximity, or a dog.
Q114. What does the dancer-and-the-dance question actually mean?
AdvancedShow answer & explanation
The dance exists nowhere except in the dancer's body, so the two cannot be pulled apart
No dance waiting in a corner.
Q115. How should a student answer the dancer-and-the-dance question in the exam?
AdvancedShow answer & explanation
Not with a plain yes or no, but by explaining that the two cannot be fully separated and saying what that does to the poem
The question is designed to complicate the poem.
Q116. Applied to a person, what does the dancer-and-the-dance idea suggest about a voice or a walk?
AdvancedShow answer & explanation
They are not a coating over the person but among the ways that person exists
Not a covering over somebody real.
Q117. If every quality of a person were removed, what does this topic say you would be left with?
AdvancedShow answer & explanation
Not the real person uncovered, but no person at all
Removing, not uncovering.
Q118. What does the dancer-and-the-dance idea do to the young woman's plan to dye her hair?
AdvancedShow answer & explanation
It means she would be changing one of the things she is, not removing a distraction
A strange light on both speakers.
Q119. What does the same idea do to the young man's phrase 'for yourself alone'?
AdvancedShow answer & explanation
It suggests he may be asking for something that does not exist
Nothing left once the qualities go.
Q120. The final part of question five asks about change over the years. Why is the answer evidence on both sides?
AdvancedShow answer & explanation
The relationship moving with the change suggests qualities matter; its surviving suggests they do not
Two conclusions from one observation.
Q121. A student writes a long biography of Yeats in an answer. What is wrong with that?
AdvancedShow answer & explanation
The textbook gives only four facts, and inventing more risks error without earning marks
Stay with what the book gives.
Q122. Assertion (A): The public cannot love a film star for themselves alone. Reason (R): The only thing the public has ever met is the star's work, so there is nothing else for the love to fasten on.
AdvancedShow answer & explanation
Both A and R are true, and R is the correct explanation of A
And so it is not a criticism of the public.
Q123. Which pairing of case and conclusion is stated correctly in this topic?
AdvancedShow answer & explanation
The pet — the case that works in both directions and is hardest to argue with
The other three reverse the conclusions.
Q124. How should a student decide what to put in a long answer on this poem?
AdvancedShow answer & explanation
The poem itself plus one of the wider questions, with an example attached
Short answers want the poem; long answers want both.
Q125. Which is the single best sentence to keep in mind about this poem?
AdvancedShow answer & explanation
It asks whether anybody can be loved with all their qualities subtracted, and suspects nobody would be left
The whole poem in a line.
Q126. A student argues that a film star is loved more genuinely than a newborn baby. Where does that argument fail?
AdvancedShow answer & explanation
It reverses the cases: the star is known only through qualities, the baby has none yet and is loved anyway
The two cases point opposite ways.
Q127. Why does this topic say that an answer to the fourth question should end with a position rather than a summary?
AdvancedShow answer & explanation
Because the question is a discussion question, and a discussion that reaches nothing has not been held
Use the cases, then decide.
Q128. Which closing observation gives an answer on this poem the most weight?
AdvancedShow answer & explanation
That 'for yourself alone' may be asking for something that cannot exist
The dancer and the dance, applied.
Q129. What qualities make an object desirable, and what would you emphasise if you were selling one?
AdvancedShow answer & explanation
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Q130. Can people be loved 'for themselves alone'? Use two of the cases the textbook supplies.
AdvancedShow answer & explanation
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Q131. Why does the textbook place a challenged child beside a prodigy in its fourth question?
AdvancedShow answer & explanation
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Q132. Explain the question 'How can we separate the dancer from the dance?'
AdvancedShow answer & explanation
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Q133. What does the dancer-and-the-dance idea do to the argument in the poem?
AdvancedShow answer & explanation
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Q134. 'Do we love people for their qualities, or can somebody be loved for themselves alone?' Discuss, using the cases the textbook supplies.
AdvancedShow answer & explanation
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Content 3 · Expression 2 · Accuracy 1. Content should include: at least two of the book's four cases; the newborn as evidence for; the public as evidence against; a clear position at the end; and some link back to the poem. Other relevant points acceptable.
Q135. Imagine you are writing an advertisement for something you own, and then a short note about a person you love. Write both, and explain what you noticed. About 150 words in all.
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Content 3 · Expression 2 · Accuracy 1. Accept any object and any person. Content should include: an advertisement written as a list of qualities; a note about a person; an observation that the two kinds of writing behave differently; and a link to the poem's argument about qualities and love. Deduct if the note about t…
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